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Released With A Sigh

Study & ArtsGuiding TeacherComment
istockphoto-shooting star.jpg

Released With A Sigh

At times, I believe,

Those streaks in the sky

Are fragments

Released with a sigh

By towering Beings,

Now skipping nigh

The unseen layers

That cocoon

This tender world.

And I too, wait,

Could simply relinquish

That freight

Worn smooth by worry,

Set it outside the gate,

Damp with the last tears

Shed for

One who carries a burden.

Art in the Service of Wisdom

Study & ArtsGuiding TeacherComment

A complete expression in this moment, 
one that is spontaneous and unique,  
while fully embracing all things.

The enso is used in Japanese Zen Buddhism to illustrate all things complete and harmonious in each moment. It is also a demonstration of the simplicity and harmony of the teaching of Zen, a tradition that views words and concepts as somewhat inadequate in their ability to express the true nature of reality.

Thus, the art of painting came to be used in the service of wisdom.

Drawing circles in the air and on the ground had long been a form of teaching in Chan Buddhism. We hear of it in the form of koan stories. For example, in "Book of Serenity" case 77 entitled "Yangshan's Enough," we read:

The monk drew a circle [in the air] and held it up with his hands, like a titan holding the sun and the moon, and said ‘What character is this?’ Yangshan then drew a circle around the character for infinity.
— Translation by Thomas Cleary

The monk is demonstrating that all things are embraced in the enso. Carrying it like Atlas, he is also demonstrating that each of us fully encompasses the whole world. This is because we are inseparable from it, through the function of emptiness that pervades our experience of the six senses. Yangshan agrees. In his verse comments, Tiantong, says this about it:

The void of the circle of the Way is never filled. The letters on the seal of emptiness are still unformed.

In great appreciation for the circle of the Way, both literal and figurative, Zenkei Shibayama Roshi published, in 1969, a large-format book containing reproductions of three centuries of enso, and the accompanying calligraphy and art. Some enso are painted in a clockwise direction, others in a counter-clockwise direction. They begin the stroke at various points on the circle. Each one reveals a bit about the individual who painted it. No two enso are identical. It reminds us that an enso blossoms from a particular moment in time, and thus its variation is great. 

And so it is with our lives. No matter in which direction you go, you are still in the midst of the activity of great Buddhadharma. All the while, you are a unique instance of causes and conditions, and thus the variation in what you experience is great. Never forget this and you are assured of great harmony.

A Pivotal Day

Sitting & Ritual, Study & Arts, Sangha & Inclusion, Service & EngagementGuiding TeacherComment

Today is a pivotal day, a turning point in my path of practice. As some of you may have heard, I am taking up the role of Guiding Teacher at Empty Hand Zen Center in New Rochelle, New York. I write this post from the plane, as I travel from California to New York. I've packed all of my belongings - the books, altar items, and the clothes of a nun. I've sent those things ahead, boxes traveling across the mountains and plains on their way to the eastern shores of the US.

However, even if those things did not arrive at the Zen Center, I'd still have everything I need. For, as the poet Basho so eloquently put it, 

I set out on a journey of a thousand leagues, packing no provisions.

That is to say, I meet that which arises in the moment, with a fresh eye, not reliant on the physical supports but on the ability to respond.

I've bowed the many bows, given and received many hugs, and even shared some tears with my local Dharma family. It's a big family - the students, faculty and staff of the Institute of Buddhist Studies, the Graduate Theological Union, the nuns of Aloka Vihara and Karuna Buddhist Vihara, and the residents and students of San Francisco Zen Center and of Berkeley Zen Center. The many streams of Buddhism are related, all part of the Great Ocean, but they need to remain independent of each other in order to nourish the land.

In the end, what does this move mean for you, the readers of this blog?

For some it means that you were my local sangha, and are now my long-distance sangha. We continue to practice together, but it will be a practice of staying in tune with each other's words and voices, more than with each other's bodies. It may mean that the blog becomes more important, a taste of the teachings of the moment as seen from afar. In a way, reading any sort of dharma is like this. It is a window into another person's practice. You can look in the window and relate it to your own experience, and you may or may not be living something similar.

For some it's not much of a change, you were part of the mahasangha ("greater," as in broader, sangha) and you will continue to be.

For still others, you may find that we are now local sangha, sharing the space between the brick walls of the Zen Center, sitting, standing, or walking. With the local sangha, we will carry out the traditional forms as they find their expression in our particular place and time. Our practice will be inevitably informed by American culture and the English language, but it will also find expression in Latino culture and in Spanish. I hope that we will find the points of contact with tradition to be many and varied. And I'd like to take practice out of the zendo (meditation hall), and into the world through service and dialogue with those who are looking for connection.

Empty Hand Zen Center zendo

Empty Hand Zen Center zendo

Generally, for everyone, this change means that there will be many more opportunities to practice with me. By taking up the Guiding Teacher role, I am committed to the life of a temple priest -  sitting zazen and chanting daily, offering Dharma talks several times a week, and leading workshops on Zen arts such as sutra copying and gardening.

Given this opportunity for greater focus, I plan to continue writing and to begin to offer online study groups. Please continue to visit www.ekanzenstudycenter.org for future blog posts and more information about how to study with me.

Finally, I want to share gratitude for my teachers Shosan Victoria Austin and Sekkei Harada Roshi, both of whom have shown unwavering confidence in the Dharma as it expresses itself through me. It is my pleasure to repay the teachings by continuing to share the practice of Zen. I may not be packing any provisions, but I am prepared to pick the fruits and be nourished by them.